Harsh Vardhan Nowlakha

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Harsh Vardhan Nowlakha is an artist born and raised in Kolkata and he completed his BFA in Sculpture from the California College of Arts in Oakland, California. He has apprenticed at the Glass and Design Class, CCA with Corey Jones and at London Glassblowing, UK with Louis Thomsan. A process-based artist, Harsh has a keen sensitivity to materials and their innate qualities with an interest in teaching traditional practices. In his studio practice, he explores a variety of traditional materials and techniques such as textile weaving, ceramics, and glass making and incorporates these fundamental processes in his own contemporary practice. Often looking at “time” as a metaphor for the human experience, Harsh creates artifacts that bring a sense of stillness and serenity to the viewer. His wide professional experience ranges from setting up built equipment, Kitengela Hot Glass, Nairobi, Kenya and a glassblowing studio, Punty and Block in Dubai, U.A.E. Glasshouse Bangalore by JaH Studios is a sculpture and glass studio started by Harsh Vardhan Nowlakha as a space for art, enthusiasm, and practice as he has an interest in teaching traditional practices and spreading this ancient craft.
Harsh lives and works in Bangalore.
HVN - 5
Harsh Vardhan Nowlakha
Glass Bangles fused and slumped - I, 2022-2023
10 x 5.5 Inches
Recycled Bangles
Price : On Request
HVN - 2
Harsh Vardhan Nowlakha
Reticulate Series - I, 2022
8.5 x 5 Inches
Blown Glass (Zanfirico Technique )
Price : On Request
HVN - 3
Harsh Vardhan Nowlakha
Glass Bangles fused and slumped - II, 2022-2023
2 x 10 Inches
Recycled Bangles
Price : On Request
HVN - 1-2
Harsh Vardhan Nowlakha
Glass Bangles fused and slumped - III, 2022-2023
8 x 5 x 1.5 Inches
Recycled Bangles
Price : On Request
HVN - 1
Harsh Vardhan Nowlakha
Continuum, 2022-2023
20 x 20 x 15 Inches
Glass cane fused and slumped
Price : On Request
In his studio practice, Harsh explores a. variety of traditional materials and techniques such as textile weaving, ceramics, and glass making. With an interest in traditional practices Harsh looks at the techniques of ancient times and incorporates these fundamental processes in his own contemporary practice.
Often looking at time as a metaphor for the human experience Harsh creates artifacts that bring a sense of stillness and serenity to the viewer. He questions the relation between the essential elements of nature and the automated production of the industrial world, to better connect with the process of creation by exploring the use of materials, textures, subtle colors, and forms.